How do we jump from a family life in circa 1903 to the present museum?
In 1909 the Marks family moved to a home in St Davids Road Parktown Johannesburg and Zwartkoppies became a weekend retreat. After her husband’s death Bertha gave up the Johannesburg home and Zwartkoppies was her principal home though she travelled a great deal.
On Sammy Marks’ death in 1920 his assets including the farm and the family home became subject to entail which Marks successfully imposed onto the 3rd generation after he and his wife had passed on. He wish to decree that it was to be only after the death of his last surviving of the tier of great grandchildren that the descendants would be free to sell Zwartkoppies. The Marks will was extraordinary as he (Sammy ) tried to rule from the grave and his strictures about his children and descendants not marrying out of the Jewish faith.
This legal device proved to be both a burden and a positive legacy, as this was the thread whereby the tale of bringing a museum into existence hangs.
The son of Sammy and Bertha, Joseph or as he was called Joe, and wife, Kirsty, continued living there until the 1970s (the widow of Joe died in 1978). Joseph was the only son with a profession, he was trained as an agronomist. He was the son who took on the task of farming Zwartkoppies in the 1920s left in the thirties and then returned after war time service after 1945.
By the 1970s the question for the family trust was what was to become of the house and its possessions . It has become a magnificent white elephant. The various prospects for an old age home, a sanatorium , a school, a hotel and so on came to naught. But in 1980 the germ of the idea of a museum began to bear fruit. There were only 4 grandchildren and the descendants by the fourth generation, no longer lived in South Africa.
In 1984 the Trust estate of the Late Samuel Marks came to an agreement with the National Cultural History and Open-Air Museum to establish the Sammy Marks Museum in the Hall. It was Neill Maisels, ( Sammy and Bertha’s astute and foresighted grandson) the executor of the estate who saw the potential for a unique museum. Richard Mendelsohn writes of Neill’s vision and sums up what is still unique about the house “ Here was a wealthy upper- class , late Victorian residence captured in amber. Its Victorian and Edwardian furnishings , its glassware and ornaments, and its collections of silver, crockery and china were basically intact, little changed since the death of the owner more than half a century before, requiring only sensitive and skilled restoration.” ( p255, Mendelsohn, 1991)
It was a long drawn out negotiation to create the museum and begin a process of restoration that is still ongoing. Today the museum is a Ditsong Museum , and some 25 years later the museum still attracts visitors wanting to glimpse this affluent life style of a man who left his indelible imprint on the shape of South Africa’s economy. He was a man who with his partners, made his fortune (and lost some fortunes too) and was able to indulge his own his tastes and be a benefactor of many public charitable causes as well as many individuals (family and others) who could rely on his generosity.
The Marks papers were steered by Mendel Kaplan to the University of Cape Town’s Kaplan Centre for Jewish Studies and Research archives and hence resulted in the Richard Mendelsohn biography (Sammy Marks ‘The Uncrowned King of the Transvaal”).
The story of the house cannot be divorced from the story of Sammy Marks and his wife Bertha and their children. It is a story of an immigrant Jewish ill educated Jewish young man who had ideas and vision for the economic development of his adopted country. He was ambitious, entrepreneurial, shrewd and talented. He was an excellent financier and knew the importance of peace and being on the side of the government of the day. He was the man who worked on averting hostilities between Boer and British. Marks and his partner Isaac Lewis had an enormous spread of business interests from liquor manufacture to beer brewing. The partners invested in glass manufacture, tanning, iron and steel, mining (diamonds, coal, gold), fruit and meat preserving, the milling of maize, cold storage. power generation. The range of interests reveals the shift in the economy from agricultural to mining and then to manufacturing. By 1904 Lewis and Marks ownership of farms in the Transvaal placed them among the top five private landowners. The business empire and partnership of Lewis and Marks lasted half a century, but in 1945 the controlling interest in Lewis and Marks was sold to Ernest Oppenheimer and the Anglo American company.
However while the furniture, goods and chattels are beautifully preserved, the house after 130 plus years needs some careful restoration. Errors in past later paint jobs need correcting, the paint needs stripping off and some wall paper is peeling. There is a begging box in the foyer appealing for restoration funds, I thought this a little odd considering the huge wealth generated through the Marks enterprises and the fact that we all pay taxes to the State. Why is it that objects cultural are last in line when it comes to state funds?
In summary, the house as a museum is a period relic, a treasure, a burden and a fascination. It is a compelling must see place. I hope to return one day soon and to enjoy a picnic under the pines. Do come join me.
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I was recently given an eight page pamphlet: “The Life and Times of Sammy Marks” by S J N Maisels, "the administrator of the estate of the late Sammy Marks". The pamphlet presents interesting photographs of Marks, his family and the exterior and interior of Zwartkoppies Hall. There is also an illustration of the official seal of Mark's Eerste Fabrieken Hatherley Distillery limited, established in 1882, plus the S M B monogram of Sammy Marks (large SM) and Bertha (small B).
The pamphlet carries no date, though is listed in the World Cat as 1987. Marks' daughter Dolly married Israel Maisels. The authoritative biography of Sammy Marks was by Richard Mendelsohn: Sammy Marks 'The Uncrowned King of the Transvaal' published by David Philip 1991. Mendelsohn does not mention this pamphlet, though it is clearly a publication associated with the Museum, which opened in 1986 and Zwartkoppies was declared a national monument in 1989. SJN or more familiarly called Neil Maisels was Sammy Marks' oldest grandson and the chairman of the Marks Trust. The Mendelsohn biography lists S J N Maisels as the author of Notes of an Epilogue to Sammy Marks Biography (Johannesburg 1986) in the section unpublished papers and MSS.
It is well worth reading the Mendelsohn biography of Sammy Marks ahead of a visit to Zwartkoppies. Marks was indeed the uncrowned king of the Transvaal, it was his foresight, vision, and risk taking that led Marks to venture into brewing, glass manufacture, fruit and meat preserving works, coal mining. He was a deal maker, investor and financier of the Transvaal Republic and later the Union of South Africa.
There are three useful current pamphlets on Zwartkoppies available from the small shop.
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Three Current Pamphlets available at the Sammy Marks Museum |
Acknowledgement of photographic sources - all external photographs are by K A Munro, some of the internal photographs are mine others are taken from public sources on the internet. Photography inside the house is discouraged but I found a discreet cell phone could be used effectively. I should add that a google image search will provide all the pictures of the interior that one could ever wish for.
Kathy Munro is an Honorary Associate Professor in the School of Architecture and Planning at the University of the Witwatersrand. She enjoyed a long career as an academic and in management at Wits University. She trained as an economic historian. She is an enthusiastic book person and has built her own somewhat eclectic book collection over 40 years. Her interests cover Africana, Johannesburg history, history, art history, travel, business and banking histories.
References
- Mendel Kaplan . Jewish Roots in the South African Economy (1986) chapters 5 & 6.
- Richard Mendelsohn : Sammy Marks ‘The Uncrowned King of the Transvaal’ (1991)
- S J N Maisels: “The Life and Times of Sammy Marks” 8 page pamphlet (no date, circa 1988)
- D . Picton-Seymour: Victorian Buildings in South Africa ( 1976) p 301
- Dictionary of South African Biography, Volume 1, HSRC, 1969 entry for Sammy Marks p 515 -517 (one error spotted Bertha was not a widow)
Reproduced from The Heritage Portal